The Sleeping Beauty American Ballet Theatre New York review – Financial Times
A spectacle that belies its title
Storybook ballets are often dismissed as fluff, but The Sleeping Beauty is a tough ballet not just for dancers but for audiences. A classic story ballet, it is not just a grand spectacle but also contains some of the most challenging choreography in the classical repertoire.
It is about as far from fluff as you can get. This enchanting full-length is one of New York City Ballet’s grandest spectacles of dance, featuring luxurious sets and costumes by Peter Farmer and lighting by Mark Stanley.
The ballet follows the story of Princess Aurora, who is cursed to sleep for 100 years by the evil fairy Carabosse. Only a kiss from a handsome prince can wake her. The ballet is full of iconic scenes, such as the Garland Waltz and the Bluebird pas de deux.
The American Ballet Theatre’s production of The Sleeping Beauty is a feast for the eyes and ears. The sets and costumes are sumptuous, and the dancing is world-class. Isabella Boylston as Aurora and James Whiteside as Prince Florimund are a beautiful pair, and they dance with grace and precision.
Herman Cornejo as Carabosse is suitably evil, and he brings a touch of humor to the role. The supporting cast is also strong, and the whole production is a joy to watch.
If you are looking for a night of pure escapism, then The Sleeping Beauty is the ballet for you. It is a timeless classic that will leave you feeling enchanted.
Conclusion
The Sleeping Beauty is a ballet that is full of magic and wonder. It is a timeless classic that will continue to be enjoyed by audiences for generations to come.
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